Wallace Heim’s first careers were as a set designer and sculptor. She was among those who, with Lou Stein, started the Gate Theatre in London. She also worked for the Foco Novo Theatre Company, with playwrights Howard Brenton, Alfred Fagan, Tundi Ikoli, and at the Tricycle Theatre with director Nicholas Kent, among others.

In television, she worked for Hat Trick Productions, Talk Back Productions, the BBC and Television South, on Have I Got News for YouDrop the Dead Donkey and the Ruth Rendell Mysteries, among others.

She also worked as a sculptor and in social sculpture, including work with the Women’s Arts Alliance and their group show by invitation as part of Joseph Beuys’ ‘100 Days. Honeypump in the Workplace’  Documenta 6, Kassel West Germany, 1977.

These exhibitions and productions span 1977 – 1994. A list of productions is included on the résumé.pdf.

 

Beyond Therapy by Christopher Durang

beyond-therapy-shrinks
set & costume
The Gate at The Latchmere, London
director: Tom Conti

400 Pounds by Alfred Fagan / Conversations in Exile by Bertolt Brecht, adapted by Howard Brenton

four-hundred-pounds1Four Hundred Pounds

set & costume
Foco Novo Theatre Company
touring & Royal Court Theatre Upstairs, London
director: Roland Rees

Conversations in Exile by Bertolt Brecht, adapted by Howard Brenton / Four Hundred Pounds by Alfred Fagan

conversations-in-exileConversations in Exile

set & costume
Foco Novo Theatre Company
touring & Royal Court Theatre Upstairs, London
director: Roland Rees

Knights of God

art direction
13-part film for TVS [Television South]
production design: Christine Ruscoe

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