Wallace Heim writes, researches and teaches in the median zone where culture, art and human performance meet nature, the other-than-human and ecological thought. In these conjunctions, new forms of human experience can emerge, new modes of understanding and action take shape.

Wallace’s work is to analyse the experience of these art works and social practices, to consider how these events shape their social and ecological contexts, and to develop critical frameworks appropriate to the experience of culture in the time of climate instability.

Her academic slant is philosophical, but she works across disciplines including performance and theatre studies, arts criticism, geography, politics and environmental studies.

Her current work is ‘the sea cannot be depleted‘, a spoken word and sound piece for online and radio broadcast about the sea, about how a sense of place evolves with the changing forces of the sea and about the military dumping of depleted uranium into the Solway Firth. Listen online at theseacannotbedepleted.net

With Prof. Pauline Phemister from Edinburgh University and Dr. Sarah Buie from Clark University, Mass., she has organised a series of four Councils on the Uncertain Human Future, on climate change, at Edinburgh. With Rev. Dr. Harriet Harris, they are organising another series later in 2018.

Her essay, ‘Theatre, conflict and nature’ for the Green Letters journal Vol 20:2016, is included in the Routledge book publication, Performance and Ecology. What Can Theatre Do? due out in 2018. The journal is behind a paywall and the book is exorbitantly priced. If you would like to read the essay, please get in touch.

Other current work is on rivers and identity; emotions; matter and movement.

In 2015, the Ashden Directory, which Wallace edited with Robert Butler, was awarded the The Nick Reeves Award for Arts and the Environment by the Chartered Institution of Water and Environmental Management (CIWEM) Arts and The Environment Network, in association with the Centre for Contemporary Art and the Natural World (CCANW), in recognition of an outstanding contribution in the field of environmental arts.

She is on the Advisory Board for the publication series Performing Landscapes. She participated in the AHRC ‘Site, Performance and Environmental Change Network’; co-curated the conference/event BETWEEN NATURE; co-edited Nature Performed. Her first career was as a set designer in theatre and television, and, with others, she started the Gate Theatre, London.

The résumé.pdf lists works from these differing careers.

Front page images: research on River Frome, Bristol 2011; cover of Nature Performed, photo by Donna Dunn; tickets for Walden Night at Über Lebenskust, Berlin 2011

Download résumé.pdf