Wallace Heim’s first careers were as a set designer and sculptor. She was among those who, with Lou Stein, started the Gate Theatre in London. She also worked for the Foco Novo Theatre Company, with playwrights Howard Brenton, Alfred Fagan, Tundi Ikoli, and at the Tricycle Theatre with director Nicholas Kent, among others.

In television, she worked for Hat Trick Productions, Talk Back Productions, the BBC and Television South, on Have I Got News for YouDrop the Dead Donkey and the Ruth Rendell Mysteries, among others.

She also worked as a sculptor and in social sculpture, including work with the Women’s Arts Alliance and their group show by invitation as part of Joseph Beuys’ ‘100 Days. Honeypump in the Workplace’  Documenta 6, Kassel West Germany, 1977.

These exhibitions and productions span 1977 – 1994. A list of productions is included on the résumé.pdf.

 

Crimson Island by Mikhail Bulgakov

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set & costume
The Gate, London
director: Lou Stein

One O’Clock World by Leigh Jackson

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set & costume
The Tricycle Theatre, London
director: Nicholas Kent

Maske: Scenes from the Heroic Life of the Middle Classes by Carl Sternheim

maske-31set & costume
The Gate, London
director: Lou Stein

Miss Lonely Hearts by Nathanael West, adapted by Lou Stein

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set & costume
The Gate, London
director: Lou Stein

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