'The Times of Caring in a Nuclear World. Sculpture, Contamination and Stillness' describes the process of making the exhibition x = 2140, and how I came to consider 'care' as a response to radioactive wastes. The article is online, open-access, part of the journal ARTS'...
‘the sea cannot be depleted‘, is a spoken word and sound piece for online broadcast, about the Solway Firth, about the sense of place that comes when living with the Depleted Uranium that the UK military have dumped beneath the surface of the sea. Listen online: ‘the...
These two audio fiction pieces inspired by the Duddon Estuary in Cumbria were written by Wallace and performed live by local actors as part of ‘Unpublished Tour', a collection of commissioned artworks about the estuary curated by Irene Rogan. Audio recordings of the performances are online. 'What do...
Wallace’s essay, ‘Theatre, conflict, nature’ for the Green Letters journal Vol 20:2016, is included in the Routledge book publication, Performance and Ecology. What Can Theatre Do? (2018; paperback 2020). From the abstract: 'Human conflict is a raw material for theatre, and theatre is co-determinant with how conflict is known. Conflicts that...
With Mark Toogood (Senior Lecturer in Geography, University of Central Lancashire) and Claire Waterton (Professor of Sociology, Lancaster University), Wallace researched the work of women scientists at the Freshwater Biological Association, Far Sawrey, Cumbria in the mid-20th Century. We published ‘Women Scientists and the Freshwater Biological...
[caption id="attachment_1040" align="alignright" width="300"] HOMELAND by Platform 1993[/caption] 'To come into conversation can be a disturbing thing, exposing, altering and aesthetic. How the conversation is made can conduct the speakers in an unknown direction ...